Ties and Slurs and Jobs

I’m not not talking about clothing accessories and inebriated speech…just yet.

When reading them little black and white dots on top of all them lines, aka music notation, it’s really easy for beginners to confuse ties with slurs.  Both are graceful arcs between notes. The actual shape of the lines can be identical.  The purpose is very different, however.  Ties are about rhythm.  They connect the rhythmic event of one note to the rhythmic event of the same note later on and tie the two together in one rhythmic event. Slurs denote how a series of different notes should be played.  Slurs are drawn over a series of two or more notes that are different than one another but who share the same melodic idea.

Sometimes life and work is like reading music notation.  It looks like it’s black and white and you just have to make music out of it.  However, if you misinterpret the notation you’re going to fall flat….and on your face.

There’s so much that I love about being self-employed and in music.  The thrill of hearing my volunteer church choir lock into their chord.  The joy of hearing my voice students creating gorgeous music to express themselves. The fun of casting a vision for a new concert production and seeing it come to fruition through collaboration with a dedicated team of various talented friends.  I love it all.

Brian Tracy, in his book, Earn what You’re Really Worth says that income security can only be guaranteed when you do something that is A. Important, B. in Demand, and C. where you are Irreplaceable.

I know that music is important.  I know that my music performance/instruction/production is in demand and has been growing consistently over the past five years.  I’d like to think that I’m irreplaceable.

So why then am I looking for full-time work? Well, there’s a few.

  1. Work/Life Balance. Teaching thirty voice students at five different teaching studios has been exciting to have a somewhat regular flow of monies, but it makes for a difficult work/life balance.  The emotional cost to my family has been greater than the financial reward.
  2. Growing family, growing needs.  Yep.  Number 4 here we go!  We’re very excited to meet this little addition in October.  I’ll be more excited if we’re able to move into a different home by the end-of-summer.
  3. Self-Employed and you want a Mortgage?  Despite growing my own business for the past five years and experiencing some really cool successes/expansions with teaching/performing/producing, all I need is a couple of pay stubs at a new job and I’d qualify to buy a home for my family.  #thanxhousingmarketcrash

SO.  I’m looking for work that allows me to capture more of the value of my experience in a full-time W-2 “real” job.  The music won’t stop.  Don’t you worry.

After telling a friend of mine about my job hunt, he said that he was sad at the thought of me in a tie and a cubicle.  I understand that I don’t fit inside that box very well.  I’m hoping to God I get to do something that I’m passionate about where I can work with people, care about a cause and finally get paid to be the creative vision guy.  But most importantly, I welcome the tie if it comes with some economic security for my family.

I’m just going to read it as a slur and make it part of my melodic line.

Summer Starts

We’ve been a bit silent here on the blog for a while.  As the season changes, and our schedules along with it, here is an update about what to expect in the near future from Nathan and the Birds.

Summer Lessons

Clip art musicians

After Nathan’s second spring student recital this coming Tuesday, he will have officially wrapped up another year of voice lessons through Waconia High School, Prior Lake High School, and his own private studios at home and at Colonial Church of Edina.

Beginning this week he will be primarily teaching at our home studio in Northeast Minneapolis, while maintaining the Edina and Prior Lake studios as well.  This allows for a much broader and more flexible schedule.  Click on this link or open this pdf (Call for voice students Summer 2014 (general memo)for information about purchasing summer lessons.  We are using sort of a punch-card system this year.  Check it out. Pass it on. Sign up!

Weddings

Nathan and I are looking forward to performing together in two weddings late in June.  Wedding gigs have always been one of our favorite things – in fact it was doing this sort of thing together that kept us so connected when we first became friends 12 years ago (yikes!).

Know of anyone looking for voice or piano music for a late summer or fall wedding?  We’re game!

Concerts

Details aren’t being made public quite yet, but based on the success of last year’s A Summer Night Romance concerts, it’s fair to say that there are plans brewing.  Nathan has been working with a growing team of professionals to help develop his processes as a concert producer. Expect great things to be happening as the year unfolds.

On Sunday, June 8, there will be a fun jazz concert with the Apollo Male Chorus and the George Maurer Group. Nathan has been working as one of their section leaders and will be singing with them on this event. See link above for tickets, and let us know if you’ll be there!

As always, check out the events page for info about upcoming productions involving Nathan.

Newsletter

Our monthly newsletters have been on hiatus as well, but we are reviving them soon, like within a couple days soon. If you’re not sure if you’re on the list, sign up here. If you don’t get around to doing that until after we’ve sent it out, you’ll be able to find it on the archive page, and I’ll be sure to get you on the list for the next one.  This next May/June edition will share more about how we have each been engaged professionally in the recent past, as well as more about summer plans.

Baby!

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The girls (and Nathan) are pretty excited about bringing another boy into the family.

And if that newsletter doesn’t end up getting to you in the next few days like I ‘promised,’ it’s probably because we decided to take a vacation at the hospital.  Our baby boy is due to arrive around June 9 (which also happens to be our wedding anniversary), but this mama would be really ok with any time now.

Thanks for following and supporting us on this journey – both professionally and personally!

Hope you have a great weekend and enjoy the beautiful weather.

~Naomi, for both of us

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Breath Works: Group Lesson

Hello singers,

Nathan has another group voice lesson at the end of the week. This is a new thing he has begun to explore because of his own experiences as a soloist, choir member, and voice teacher. Not all contexts of singing call for the same type of sound to be produced, but the basic technical elements and self-awareness skills will aide any singer in his or her particular singing activity.

Breath Works

photo credit: shawnzrossi
photo credit: shawnzrossi

This week’s 60 minute session will explore the nuances and misconceptions about breathing. As the basis for any sort of vocalizing, breathing should not be cumbersome work but rather a graceful and empowering cycle. Through exercises, group discussion, and lots of fun vocalizing, Nathan will help to unravel and clarify some common rehearsal jargon regarding breath actions, and will challenge the singers to breathe consistently and appropriately in any context.

The lesson is especially suited for those who have had some private voice lessons, but that is not a requirement. Likewise, since Nathan is passionate about vocal ensembles and helping people have great experiences in them, he has tailored the content for people who are members of church choirs or school ensembles. However, even if you only like to sing in the shower or the car; or if your vocal ensemble of choice currently is simply Sunday mornings at church with the rest of the congregation, you can gain something from this session. Join with others of all ages in this unique setting to explore the “breath-taking” journey of singing.

Friday morning, June 28, 10 AM
In the Music Center at Colonial Church of Edina, 6200 Colonial Way, Edina, MN 55436
Registration – There is no set fee for the event, but there will be a box for contributions if you are able. Please R.S.V.P by Thursday evening.
Call Nathan at (952) 212-4017 or email naomi.m.bird@gmail.com or contact via this site.

That Sound We Want – The pressure of studio perfection on live performance

Gartner Auditorium at the Cleveland Institute of Art - the venue for recording Massif Trio's premier CD

Here is an interesting thing.  Most music consumers love perfect quality recordings.  Consumers and the industry together have developed a preferred “sound” that the public expects to hear when they listen to their i-tunes, CD’s, etc.  This “sound” is specific to every musical genre, however many genres have the goal of perfection in mind; no mistakes, no flubs, any hiccup and there’s another take.  Producers record massive amounts of material and edit it down to perfection.  Having worked with producers whose art is this process, I am impressed and thankful that they can make me sound so flawless.  But what’s the problem of striving for perfection via 100 takes?

First,

This perfection cannot be duplicated live.  The public goes to said live concert and hopes to be wowed by the perfection that they are accustomed to on the recording.  The result – pressure on the artist to meet the impossible standards of their own produced work.  How many singers tax their voice to the point of un-health in live performances?

Second,

The performance becomes a show.  Add attractive multi-sensory entertainment.  Anything from a cool set to pyrotechnics is enough to distract people from noticing that they sound different live.  A show is still art.  It’s just a different art than the music that preceded it.

Last,

I hope that someone’s art is truly an expression of their soul.  Would you enjoy a painting that was made by a robot?  Why do we enjoy a recording pieced together by a computer and a producer?  A friend recently commented that he can’t stand the recorded music of a certain Christian Contemporary Artist, but loved this individual’s live show.  Can any of you relate to this in other genres?

Is this pressure on performers good for the industry?  Would you rather hear good music or be entertained by a fun show?  What would it take for you to be ok with only live recordings of everyone in your collection? Do you prefer the perfect sound of highly engineered perfection, or freshly squeezed human authenticity?

Goodnight Music

A mother plays the guitar while her two daught...

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It is no secret that combining the worlds of a music career and family is a great challenge.  Time is limited, energy is limited, and it is just plain hard to feel all that inspired to practice a beautiful line of music when you have just rinsed poop off your hands.

Every once in a while though, there are beautiful moments when we think, “This is so special.  I wouldn’t trade this for anything.”  Last night was one of those times.  Continue reading →