Tag Archives: romance

Who doesn’t love a good love story? Love at first sight. Butterflies. Floating on air. And happily ever after.


Of course not. Not in all the ways we want. We’ll get into that more next week, but this week we’re celebrating happy exciting beginnings – those feelings that spark and ignite and inspire life-changing action.

The song of inspiration this week (to be released on March 30) is ”Ten Minutes Ago” from Rodgers and Hammerstein’s Cinderella. Before all the flirting and wooing, something sparks. Before the Prince can marry his bride, he has to find her. And before the legendary movie goes bonkers all over the world, someone has to get an idea.   This is that story…

*Reminder* – As we mentioned last week, this month we are starting a new rhythm of releasing all of the songs on the last Saturday of the month. March’s theme is musical theater and last week’s inspiration was the song “On the Street Where You Live.” Hope you enjoyed Nathan’s ridiculous embarrassing stories.

Did you know that Cinderella is the only Rodgers and Hammerstein musical written for television? Others were adaptations of stage plays. This was designed for the screen. It aired on March 31, 1957. That was 62 years ago.

TV adaptations of stage musicals were common in the mid 50s as this new medium was booming and the networks were seeking good family-friendly material. NBC brought the idea to Rodgers and Hammerstein to create an original made-for-TV production. Being new to this form, they sought advice from a man who was then the “Vice President in charge of color television” at CBS[1]. How’s that for a dated job title?

CBS was a step ahead of them, already wanting to do a similar project, and even having booked the star – a girl who was playing the lead in My Fair Lady on Broadway. Julie Andrews. Heard of her? All they needed was a show. R and H were stoked about collaborating with Julie, so they got right to work on this new venture.

With the industry parameters of a 90-minute program length and six commercial breaks, the story took place in six acts that took Hammerstein seven months to write. Less than six weeks before air date, rehearsals commenced. The recording process consisted of 56 actors, 33 musicians, and 80 other crew maneuvering around in a relatively small studio with four of these giant (as in 300-pounds) color cameras[2]:


(RCA TK-41, via Wikipedia)

Nowadays, movies are made with iPhones, solopreneurs with no tech crew make a living vlogging about their life, and a selfie stick does the job that in 1957 required the muscles of two grown men. We’ve come a long ways.

Normally during the prime Sunday evening time slot scheduled for the film’s broadcast, one would have been tuning in to the now iconic The Ed Sullivan Show, at the time in the 9th of its 23-year run. To plug the premier of Cinderella, Richard and Oscar themselves were guests on the variety show the week before the film aired.

Hours into researching this production I realized something mind-blowing, prompted by this sentence:

“The 1957 premiere had been broadcast before videotape was available, so only one performance could be shown.”[3]


My 21st century brain hadn’t even registered the fact that this original broadcast wasn’t a “film” at all. IT WAS PERFOMED LIVE!!!!   Like – the actors were actually doing their stuff while little Tommy and Barbara and the other 107 million viewers across North America watched from their living rooms! Tell me I’m not the only one who didn’t understand this until now.

The model of live variety and comedy shows made sense, but an actual feature movie for the whole nation to watch? Wow. That’s gumption. We officially have no more excuses for avoiding Facebook Live. Nathan! Get the kids to help you haul out the camera! We’re going live!

The development of tape recording technology evolved in the 50s and 60s such that subsequent film versions have been more widely distributable, but a kinescope of the original broadcast was preserved and you can sneak a peak on YouTube.

I hope you’ve enjoyed this little bit of history behind the song. We look forward to sharing it with you later this month!

Fun facts – the 2013 Broadway version starred Minnesota native Laura Osnes, whose husband Nate Johnson went to Northwestern College here in St. Paul when Nathan was there as a student. The 2011 Ordway Theatre production of Cinderella starred Jessica Frederickson, whose husband Aleks Knezevich was one of the original NorrSound Tenors when A Three Tenor’s Christmas was started here at Wooddale. Jessica keeps hitting it out of the park with lead roles at the Chanhassen Dinner Theatres

[1] https://en.wikipedia.org/wiki/Cinderella_(musical)
[2] https://en.wikipedia.org/wiki/RCA_TK-40/41
[3] https://en.wikipedia.org/wiki/Cinderella_(musical)

“Ten Minutes Ago” words by Oscar Hammerstein II, music by Richard Rodgers
<link will be updated after March 30, 2019 when we release all of our recordings for the month. Get the email when they’re ready!>

Ten minutes ago, I saw you,
I looked up when you came thru the door,
My head started reeling, You gave me the feeling the room had no ceiling or floor.

 Ten minutes ago, I met you,
And we murmured our how-do-you-do’s,
I wanted to ring out the bells and fling out my arms and to sing out the news.

I have found her! She’s an angel
With the dust of the stars in her eyes.
We are dancing, we are flying
And she’s taking me back to the skies.

 In the arms of my love, I’m flying
Over mountain and meadow and glen
And I like it so well, that for all I can tell, I may never come down again!

I may never come down to earth again.

On The Street Where She Lived

Starting this week, we are doing things a little differently. Continue to look for our weekly SongNotes every Saturday, however, until the last week of each month they will be more notes less song. On that last week we will release all of the month’s songs in one set.  The SongNotes themselves stand alone as – we hope – messages of joy, beauty, and inspiration.  By the time we bring you the recordings you will have been primed (warned?) and just dying to hear our songs. 

This approach will afford us more flexibility, practicality, and focus as we prepare our weekly offerings to you, so we’re really looking forward to this new rhythm.  Hope you like it.   

Also, the theme for March is musical theater.  We are pretty old school in this regard, so think Lerner/Lowe and Rogers/Hammerstein for now.


Apparently, I get a week off from writing.  While I wasn’t looking, Nathan whipped up this hilarious piece of reminiscence and wisdom. Maybe not wisdom, per se, but it’s possible that after reading these stories you will have a renewed sense of grace for your own crazy antics.

“Hopeless Romantic Meets Real Life”

Featuring “On the Street Where You Live”  (from My Fair Lady)
to be released on March 30, 2019— (We will update the blog post at that time.  If you want it emailed to you, subscribe here.)

By Nathan Bird

This song is one of my favorites.  It has been a go-to song for serenading.  It’s been in the back of my head as I prepare romantic dates with Naomi, and I’ve been asked to sing it for sentimental moments. But some songs can get you trouble.

The song, in and of itself, is lovely.  Its lilting melody, evocative picture of a young man in love, the blissful tension of young love – it’s great, right?  The performance stuck in many of our minds’ eyes is the dapper style and tight vibrato of Eliza Dolittle’s love-struck gent in the 1967 film My Fair Lady.  Part of what draws us into the love story of the tenor that doesn’t get the girl is that the professor, poor professor Higgins, is such a jerk.  I actually hate the end of the story because obviously Eliza Doolittle should’ve gone with the tenor!  I’m a little biased, though.

Part One: College Crooner

Whilst you’re in college and one of two male voice performance majors in the whole school, you’re a freak of nature.  People don’t know how to relate to you in a normal way.  Random fellow students ask you to sing, especially at night when the moon is high.

While there were many times when I’d sheepishly back away from these informal singing requests, there was one time when I was in a more-extroverted-than-usual form and did acquiesce.  “On the Street Where You Live” started flowing out of me.  Unfortunately, I forgot to anticipate how the fellow males in our company would respond to this situation.  They shrank into the shadows, scoffing that Birdman “actually went there.” While the girls were squealing, I prayed that the night sky would mask the red in my face.

Two things I learned that day:
1. Saying no is ok.
2. It’s a good idea think before you speak OR sing.

Part Two: Luncheons and Language

I was asked to sing for a luncheon for some donors at my Christian college.  I decided to sing this song, but I thought I’d dig a little deeper than the usual and do the verse beforehand. “When she mentioned how her aunt bit off the spoon, she completely done me in…” I saw faces begin to turn red.  If they didn’t understand the context of the musical, this was a very strange start to a song.

The tension does not resolve.

“And I never saw a more enchanting farce, than the moment when she shouted…”  Remember lesson number 2 from above? This would have been a good application. In the mind of anyone familiar with the film was the anticipation of the snarky line from Eliza Doolittle. Overcome with excitement at the horserace, she forgets her new proper lady-like behavior and screams “MOVE YAR BLOOMIN’ ARSE.”

Three things I learned that day:
1. Context is everything.
2. Not everyone has seen or appreciates My Fair Lady.
3. Don’t sing songs with foul language – implied or otherwise – for donors at your conservative Christian establishment.

Part Three: Roses and Roads

By my senior year in college I was quite enamored with this Naomi girl and had decided to surprise her with a rose at her bus stop on Valentine’s Day.  This song never came out of me that day, but it was the soundtrack in my head.  The reason was that I was going to be on the street where she lived.

Nine things I learned that day:

  1. Some shops don’t sell single roses, so you can buy a dozen and choose the best one, so it’s ok.
  2. As you are trying to figure out how to surprise your girlfriend with a flower en route to her bus stop, walking back and forth on her street, you really really look suspicious, but you’re holding a rose, so it’s not weird at all.
  3. Sometimes your timing is off and said girl gets on said bus before you can intercept them with said thorny growing smelly thing.
  4. Sometimes you decide to chase buses downtown in traffic and it stresses you out.
  5. Sometimes you learn that you’re not supposed to drive where buses go during rush hour traffic.
  6. Sometimes you get to your target’s school and realize that you can see where the buses are dropping people off, but you can’t get down to where she is and you start driving in places where you’re not supposed to go and you have to back out of them and you start to hate 1960’s college campus design architects.
  7. Sometimes you decide to abort romantic missions and get choked up.
  8. Sometimes your failed attempts at romancing make you late to sight-singing classes.
  9. If you get to school with 11 extra roses on Valentine’s Day, your female classmates won’t hate getting one from you, but don’t tell them it was extra.

So, you see, to us this is more than just a pretty song.   It’s an anthem for hopeless romantics everywhere.  Sometimes it’s ok to feel silly.  Sometimes it’s darling to be dramatic. Sometimes it’s better to think ahead, but even if you don’t, life goes on, nobody dies, and maybe you’ll even render some heart healthy laughs…eventually.


“On The Street Where You Live” from My Fair Lady 
Words by Frederick Lowe, Music by Alan Jay Lerner

I have often walked down this street before;
But the pavement always stayed beneath my feet before.
All at once am I several stories high,
Knowing I’m on the street where you live.

Are there lilac trees in the heart of town?
Can you hear a lark in any other part of town?
Does enchantment pour out of every door?
No, it’s just on the street where you live.

And oh, the towering feeling
Just to know somehow you are near!
The overpowering feeling
That any second you may suddenly appear!

People stop and stare. They don’t bother me,
For there’s nowhere else on earth that I would rather be.
Let the time go by, I won’t care if I
Can be here on the street where you live!